LaBeouf also started popping up as a helpful teen sidekick in major action movies. Holes remains a delight the Project Greenlight winner The Battle of Shaker Heights is probably that HBO show’s most likable entry the animated film Surf’s Up coasted to a surprise Oscar nomination on the back of its agreeable goofiness. He quickly jumped off the tween-idol train and started making a mix of worthy independent films and memorable mainstream work aimed at kids.
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Starting out with the usual TV movies and guest roles, he vaulted to Disney Channel fame on Even Stevens. LaBeouf is that rare beast-a child star who made it big as an adult.
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LaBeouf’s filmography is full of hidden gems, and on a larger scope, tells a tale of an unusual track to Hollywood stardom. ) LaBeouf could be subjecting the public to an installation of his own creation, but instead he’s recognized the main vehicle of his success and is paying (bizarre) homage to it. Rowling’s theatrical sequel to her Harry Potter series. (It’s also arguably a more populist effort than J.K.
All you have to do is line up at the Angelika to get a seat to see some movies at no charge.
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Let’s start with the simplest argument: #ALLMYMOVIES is free cinema for the people. It’s hard to know just why LaBeouf thinks so many people are interested in his tortured life, but with #ALLMYMOVIES, he’s at least returned his focus to his cinematic oeuvre-and with that, he might be on to something.
Sometimes his conduct feels like a funhouse-mirror version of James Franco’s own pretentious antics sometimes it feels like a genuine cry for help. He then bounced into stranger territory which many categorized as performance art (wearing paper bags over his head, plagiarizing other writers and tweeting about it). LaBeouf was one of Hollywood’s most bankable stars for four years after a long career playing plucky kids and smart-aleck teenagers, before he spiraled into typical bad-boy behavior (DUI arrests, charges of assault, and disorderly conduct). Enter the Nightmarish World of Joel Coen’s Macbeth David Sims
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